"Sixty Foot Waves", новая песня группы GIANT SQUID, доступна для прослушивания ниже. Этот трек взят из альбома "Minoans", выход которого запланирован на Translation Loss Records на 28 октября.
Giant Squid is a post-metal band from Sacramento, California, currently signed to The End Records.
Biography
Early years (2002-2005)
Giant Squid was originally conceived in 2002 in Sacramento, California, after the core members, Aaron Gregory (guitar, lead vocals), Bryan Beeson (bass guitar), Bill Hughes (guitar), and Aurielle Zeitler (keyboards, vocals), had already been playing in Northern California under the monikers Koi and Namor. The band self-released its debut album Metridium Field in 2004 through its own record label, Tyrannosaurus Records. Metridium Field contained re-recorded versions of the songs "Revolution in the Water" and "Ampullae of Lorenzini", two tracks originally released locally in 2001 as a two-song CD under the band's previous name, Namor, which featured Dave Reynolds on drums.
Recording of Metridium Field started in February 2003, and now included Jason Divincenzo on drums. In addition to the two aforementioned songs, the album contained the additional tracks "Neonate", "Namor Versus the Siren", "Summit", and "Metridium Field", as well as two non-musical tracks, "Megaptera in the Delta" and "Eating Machine". Giant Squid hired heavy music producer Billy Anderson (Neurosis, High on Fire, Mr. Bungle, Melvins) to record and produce Metridium Field in Sacramento at the recording studio The Hangar. AJ Welham was assistant engineer for the week long session, and Brandon Oreno later recorded much of the vocals on the record. The album was mastered by Eric Broyhill at Monster Lab Audio in Sacramento. During the middle of the recording process, Aaron Gregory's father was killed in a motorcycle accident, which delayed the eventual release until April 2004. Five months later, Gregory and Zeitler married.
In 2005, Giant Squid self-released five-hundred hand made copies of another album titled Monster in the Creek, also under Tyrannosaurus Records, which was recorded mostly live and strictly analog to two-inch/sixteen track tape at the Hangar recording studio with engineer Eric Broyhill. It contained select songs about the Jersey Shore shark attacks of 1916, with titles such as "Monster in the Creek" and the instrumental "Lester Stillwell", named after the 12-year-old boy killed during the attacks, as well as the tracks "Dead Man's Fog", "Age of Accountability", "Throwing a Donner Party", and "Dare We Ask the Widow". Monster in the Creek featured Mike Conroy on drums and Andy Southard on keyboards and additional vocals, giving the band three lead vocalists for a short while. Relieved of her keyboard duties, Aurielle became a full-time guitar player in the band.
Metridium Fields (2005-present)
Metridium Field resulted in a record deal signed with experimental music label The End Records in 2005. Because of the line-up changes since the recording of Metridium Field, and the fact that the hard drive containing the original session files for the album had locked up and thus made remixing the record impossible (which the band felt it needed before a world wide release), Giant Squid decided to rerecord the album to reflect their progression in sound and songwriting.[1] This new version would have Mike Conroy on drums and Aurielle on both guitar and keyboards as well as a second vocalist. Mike Conroy's brother Tim would also play trumpet on the tracks "Versus the Siren" and the twenty-one minute final track "Metridium Field". Andy Southard, who recently departed with the band, made a guest appearance playing keyboards for "Metridium Field". The band hired Billy Anderson again to engineer all the instrumental tracks in Sacramento at The Hangar recording studio. Robert Cheek was assistant engineer and later recorded the majority of vocals on "Neonate" and "Revolution in the Water" at his private home studio. Through the recording process, the band relocated to Austin, Texas. There they finished recording vocals and minor instrumentation with Jason Rufuss Sewell at his private studio, Nebulost Productions, in Bastrop, Texas. Sewell also contributed some minor instrumentation performances on the record before mixing and producing it. Eric Broyhill mastered the record again at Monster Lab Audio. The album was released as Metridium Fields (plural) on The End Records, August 22, 2006, and found world wide critical acclaim.
The band toured the East Coast and into Canada in March 2006 with label mates The Gathering and Unexpect, with Jason Rufuss Sewell playing keyboards and Tim Conroy performing his trumpet parts live. The band then toured the Midwest and West coast in July 2006 with label mates Stolen Babies, a few select dates with friends Prize Country, as well as playing the CD release of The End Records veterans Agalloch in Portland, Oregon. This time around, Tim Conroy took over keyboard duties as well as playing his trumpet parts live. Immediately following this tour, the Conroy brothers left the band and Austin.
Giant Squid played a handful of Austin shows with Kimberley Freeman and Scott Sutton (both from Austin bands Ghetto Princess and One Eyed Doll) on keyboards and drums respectively. One of these included opening for the band's idols, Isis, at the Austin venu
Biography
Early years (2002-2005)
Giant Squid was originally conceived in 2002 in Sacramento, California, after the core members, Aaron Gregory (guitar, lead vocals), Bryan Beeson (bass guitar), Bill Hughes (guitar), and Aurielle Zeitler (keyboards, vocals), had already been playing in Northern California under the monikers Koi and Namor. The band self-released its debut album Metridium Field in 2004 through its own record label, Tyrannosaurus Records. Metridium Field contained re-recorded versions of the songs "Revolution in the Water" and "Ampullae of Lorenzini", two tracks originally released locally in 2001 as a two-song CD under the band's previous name, Namor, which featured Dave Reynolds on drums.
Recording of Metridium Field started in February 2003, and now included Jason Divincenzo on drums. In addition to the two aforementioned songs, the album contained the additional tracks "Neonate", "Namor Versus the Siren", "Summit", and "Metridium Field", as well as two non-musical tracks, "Megaptera in the Delta" and "Eating Machine". Giant Squid hired heavy music producer Billy Anderson (Neurosis, High on Fire, Mr. Bungle, Melvins) to record and produce Metridium Field in Sacramento at the recording studio The Hangar. AJ Welham was assistant engineer for the week long session, and Brandon Oreno later recorded much of the vocals on the record. The album was mastered by Eric Broyhill at Monster Lab Audio in Sacramento. During the middle of the recording process, Aaron Gregory's father was killed in a motorcycle accident, which delayed the eventual release until April 2004. Five months later, Gregory and Zeitler married.
In 2005, Giant Squid self-released five-hundred hand made copies of another album titled Monster in the Creek, also under Tyrannosaurus Records, which was recorded mostly live and strictly analog to two-inch/sixteen track tape at the Hangar recording studio with engineer Eric Broyhill. It contained select songs about the Jersey Shore shark attacks of 1916, with titles such as "Monster in the Creek" and the instrumental "Lester Stillwell", named after the 12-year-old boy killed during the attacks, as well as the tracks "Dead Man's Fog", "Age of Accountability", "Throwing a Donner Party", and "Dare We Ask the Widow". Monster in the Creek featured Mike Conroy on drums and Andy Southard on keyboards and additional vocals, giving the band three lead vocalists for a short while. Relieved of her keyboard duties, Aurielle became a full-time guitar player in the band.
Metridium Fields (2005-present)
Metridium Field resulted in a record deal signed with experimental music label The End Records in 2005. Because of the line-up changes since the recording of Metridium Field, and the fact that the hard drive containing the original session files for the album had locked up and thus made remixing the record impossible (which the band felt it needed before a world wide release), Giant Squid decided to rerecord the album to reflect their progression in sound and songwriting.[1] This new version would have Mike Conroy on drums and Aurielle on both guitar and keyboards as well as a second vocalist. Mike Conroy's brother Tim would also play trumpet on the tracks "Versus the Siren" and the twenty-one minute final track "Metridium Field". Andy Southard, who recently departed with the band, made a guest appearance playing keyboards for "Metridium Field". The band hired Billy Anderson again to engineer all the instrumental tracks in Sacramento at The Hangar recording studio. Robert Cheek was assistant engineer and later recorded the majority of vocals on "Neonate" and "Revolution in the Water" at his private home studio. Through the recording process, the band relocated to Austin, Texas. There they finished recording vocals and minor instrumentation with Jason Rufuss Sewell at his private studio, Nebulost Productions, in Bastrop, Texas. Sewell also contributed some minor instrumentation performances on the record before mixing and producing it. Eric Broyhill mastered the record again at Monster Lab Audio. The album was released as Metridium Fields (plural) on The End Records, August 22, 2006, and found world wide critical acclaim.
The band toured the East Coast and into Canada in March 2006 with label mates The Gathering and Unexpect, with Jason Rufuss Sewell playing keyboards and Tim Conroy performing his trumpet parts live. The band then toured the Midwest and West coast in July 2006 with label mates Stolen Babies, a few select dates with friends Prize Country, as well as playing the CD release of The End Records veterans Agalloch in Portland, Oregon. This time around, Tim Conroy took over keyboard duties as well as playing his trumpet parts live. Immediately following this tour, the Conroy brothers left the band and Austin.
Giant Squid played a handful of Austin shows with Kimberley Freeman and Scott Sutton (both from Austin bands Ghetto Princess and One Eyed Doll) on keyboards and drums respectively. One of these included opening for the band's idols, Isis, at the Austin venu